Exclusive Interview with

Rita Dragonette

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When did you start writing?

I started by imagining. I was an avid child reader and movie-watcher, particularly of historical fiction. In my head I would write elaborate parts into each story for a little girl, my age. I called it daydreaming. I think I finally put pen to paper in high school.

Rita Dragonette
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What makes writing your passion?

We choose how we best relate to and make sense of the world (or it chooses us). Mine has always been the written word.

Rita Dragonette
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How long have you been writing?

formally, as an author, for about 15 years.

Rita Dragonette
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What was the feeling when you published your first book?

It was a birth, but with the longest gestation you can imagine (13 years!). Even now, with it out nearly two years, when I look at a copy, it's still hard to believe that all that work is complete and my story is exposed and climbing into the heads of other people.

Rita Dragonette
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What’s the story behind your choice of characters?

The Fourteenth of September is based on experiences I actually had, so the characters have always been familiar to me. Highly fictionalized though they are, the ones I haven't conjured up full-cloth, each have bits of real people that I've shamelessly morphed into composites.

Rita Dragonette
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What annoys you the most in pursuing a writing career?

The business side is relentless, but necessary.

Rita Dragonette
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How do you get over the “writer’s block”?

It's very difficult and there is no one formula, but I learned at a writer's retreat years ago (where there was nothing ELSE to do) that if you just start free writing, it eventually starts behaving, and turns into something you can either use, or that will get you where you need to go.

Rita Dragonette
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We all know the writer’s path is never easy, what makes you keep going? What advice would you give to new authors?

Accountability. I wrote to deadline for year's in the business world. Now, I know my own deadlines are a fiction I don't HAVE to pay attention to. So over the years I've been in workshops and writer's groups, taken classes, etc. Right now, I'm having a highly productive time, exchanging writing with a kindred spirit author I've known for years. We have three-hour phone calls to discuss each Saturday.
There are so many options to get into a community of writers, no one should feel like they have to do it alone. Community will save you years.

Rita Dragonette
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If you could go back in time and talk to your younger self, what would you say?

Honor your talent and take what I considered an avocation more seriously. Call yourself a writer and behave accordingly, and confidently.

Rita Dragonette
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Do you read your book reviews? How do you deal with the bad ones?

Yes I do. It's hard to believe that people don't. You learn quickly the ones that are useful and can let you know if and how you are or are not connecting. And, those that are irrelevant or mean spirited. A review is also a tremendous courtesy to a writer. I review every book I read, even if it's a classic by a deceased author. I know how much it means.

Rita Dragonette
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What is the feeling when you get a good review?

When someone tells you they loved your book--live or in a review, it's the ultimate satisfaction. You've achieved what you were after--made that connection. It works. Writers toil tremendously to give life to their intention, which is so clear in their minds. To know you have been successful is the most incredible high.

Rita Dragonette
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Have you ever incorporated something that happened to you in real life into your novels?

Per above, my first novel is based largely on my personal experiences on campus during the most tumultuous year of the Vietnam War.

Rita Dragonette
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Which of your characters you can compare yourself with? Did you base that character on you?

My intention was to tell the story from a women's point of view--rare for the subject matter. My main character is the voice for my point of view, and resembles me, but is much more interesting and makes more dramatic choices.

Rita Dragonette
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What do you think, the book cover is as important as the story?

The importance of the cover can't be overstated. The reader has to be drawn to your story in order to actually read it, and the cover is the first impression. Authors often have to fight for their covers. For example, my publisher wanted to put a helmet on my cover, but this is a non-combatant woman's story. I pushed for the iconic flowers and gun combination-war and peace, male and female.

Rita Dragonette
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Do you connect with your readers? Do you mind having a chat with them or you prefer to express yourself through your writing?

There is nothing more fun and rewarding than to talk with a reader--to either encourage them to read your story or, even better, after they've read it. I've had incredible discussions with members of book clubs and online groups that dive deep, ask wonderful questions and spur added insight. At times, my readers see something in my book that I wasn't consciously intending, but works. It's a revelation when that happens.

Rita Dragonette
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How do you feel when people appreciate your work or recognize you in public?

I've had several situations where I've been at an event or a party and introduced to someone who says, "Rita Dragonette," the author? Or, "I loved your book." I felt like a rock star.

Rita Dragonette
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Who is your favorite author? Why?

This is such a tough question because I love the work of so many authors for different reasons. I would have to say that I most admire what Hemingway did for modern literature. Fiction writing completely changed with his short stories and The Sun Also Rises. Like his attitudes and image or not, you have to be knocked out by his razor sharp, to-the-essence sentences.

Rita Dragonette
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What’s the dream? Whom would you like to be as big as?

I greatly admire the careers of writers like Lauren Groff, Jennifer Egan, Jonathan Franzen, and Rebecca Makkai. Every book is an event. Even if unsuccessful, you are aware a master is at work.

Rita Dragonette
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Would you rewrite any of your books? Why?

Every writer has things they would change, because they learn more and move in new directions with each book. You can polish forever. I certainly find things at every reading. I also added something in my second printing that I'd learned was unclear from feedback. At some point your editor tells you enough....this story is done. There are other stories to tell.